Download Focus On Close-Up and Macro Photography by Clive Branson PDF
By Clive Branson
Bankruptcy 1: what's Macro Photography?
The distinction among Close-Up and Macro Photography
The trouble with Macro Photography
Extension add-ons for Close-Up Photography
Choosing the correct digicam and Lenses
Flash and Reflectors
Chapter 2: Composition
Before You Even Take a Shot,Consider the Following
Your Eye Isn’t the Camera’s Eye
The Rule of Thirds
Depth of Field
RAW, TIFF, and JPEG
Chapter three: Flower Photography
Fun or Serious?
Photography Is All approximately Observing
The Anatomy of a Flower
Focus on What you must Shoot
If I’m capturing Close-Ups, Why
the historical past So Important?
Positive and adverse Space
Using unfavorable Space
Horizontal as opposed to Vertical
Lines, Shapes, and Patterns
Photographing Multicolored Flowers
Photographing purple and Yellow
Photographing Blue and eco-friendly Flowers
Photographing White Flowers
Photographing flora in Black and White
Chapter four: Lighting
Incandescent lighting fixtures or non-stop Lighting
Chapter five: matters to Photograph
How to picture Falling Droplets
How to photo Smoke Trails
How to photo Lit Matches
How to picture Water Refractions
Photographing man made Textures
Chapter 6: What to Do together with your Images
Greeting playing cards and Calendar Companies
Advertising and Promotion
List of Acronyms
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Additional info for Focus On Close-Up and Macro Photography
Composition 37 38 Focus On Close-Up and Macro Photography Your Eye Isn’t the Camera’s Eye Too frequently photographers will be disappointed when a photographic image does not live up to their expectations. The picture wasn’t close enough, bright enough, focused enough, focused on the wrong thing, or just didn’t project the emotion you craved. You must be careful how you interpret a scene or subject. It is important that you recognize that most of the work involved in creating a good shot is done beforehand.
You can’t afford to rely solely on the camera and must take that responsibility through the careful process of four key areas: 1. Framing 2. Composition 3. Foreground versus background (exposure) 4. Analyzing light Composition is vital for achieving good photography. Even when correctly exposed, a photograph can still look bland if the composition is wrong. What you choose to leave out of the picture is as important as what you leave in. When showing your photographs to someone, understand that it is human nature for a viewer to zero in on the brightest matter within a scene.
Composition 49 10 Steps to Take If Your Images Are Not Sharp 1. Make sure your lens is focused on the right part of the composition. 5. Use a shorter lens and get closer or use a larger lens farther away. 2. 6. Double-check your shutter speed. If the shutter speed is too slow for handholding or if the subject moves, the image will blur. Don’t shoot your lens at its widest aperture unless that’s the desired effect. 3. Be gentle with your shutter release. If the photographer jabs the shutter release, the camera will wobble.