Download Digital Portrait Photography of Teens and Seniors: Shooting by Patrick Rice PDF

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By Patrick Rice

Divided into elements, this advisor exhibits studio vendors and photographers easy methods to elevate visibility, creativity, and monetary rewards within the youngster and senior portrait marketplace. the 1st part is targeted on technical mastery, supplies how one can refine one's procedure and stay aggressive and delivering recommendation on opting for the suitable electronic apparatus and additional creative components like indoor and outside units, storytelling props, and classy backgrounds. the second one part is dedicated to winning advertising strategies which are reasonably cheap and feature a huge impact, resembling preserving an online presence, supplying particular promotions, and generating direct-mail advertising items. a number of advertising items from most sensible studios are incorporated as reference issues.

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Extra resources for Digital Portrait Photography of Teens and Seniors: Shooting and Selling Techniques for Photographers

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This adds tremendously to the “wow” factor of the senior experience, although it does tend to slow down the session. We were unable to accommodate a monitor in our shooting area, so we show students their images on our desktop computer immediately after the session. We load the CompactFlash card into the card reader and use our Fuji StudioMaster Pro software to present an instant slide show and also compare images side by side on the screen. Each senior knows they love the images even before we make their prints.

Most photographers with a vehicle for a prop have Chevrolet Corvettes. Although these are indeed beautiful cars and are very popular, I felt they were almost too common. I remembered that photographers Larry Peters, Walter Rowe, and Ralph Romaguera each had foreign sports cars. I liked that idea, and when the opportunity arose to acquire an older Porsche, I knew right away that I would be able to use it for photographs. I now use the Porsche in as many of our high-school senior sessions as possible.

We do not spend time downloading the images from the CompactFlash cards during the session or try to write CDs when we should be creating images. File Storage. All of the image files from each CompactFlash card used are written to a CD as RAW (or uncorrected) camera files. No manipulation or editing is performed. The CD is labeled with the client’s name, the date of the session, and the photographer’s name. We use a special marking pen designed specifically for writing on CDs that eliminates the possibility of the ink bleeding into the data and corrupting any of the files.

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