Download Composition Photo Workshop by Blue Fier PDF
By Blue Fier
The hands-on guideline that electronic photographers have to compose nice shots
Introducing readers to the elemental parts of layout, this full-color advisor indicates photographers step-by-step find out how to body nice compositions earlier than they take the shot. directions, suggestion, examples, and assignments conceal every kind of photography.
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Extra resources for Composition Photo Workshop
2-25 In addition to using the grid’s cross-points as guides when composing your image, you can also use the lines themselves; the line you choose affects which portion of the image is emphasized. For example, suppose that you’re photographing a landscape. If you align the horizon in your shot with the top horizontal line, the emphasis in the image is on the subject matter below the horizon as illustrated in 2-27. In contrast, if the horizon is aligned with the bottom horizontal line, the emphasis is on the expanse above the line as demonstrated in 2-28.
ABOUT THIS PHOTO The water is frozen in time, something your eye cannot see, but the camera can record (50mm, 100 ISO, f/4 at 1/2000 second). qxp 5/16/07 2:38 PM Page 15 ■ Monocular vision. As mentioned previously, you see stereoscopically, which enables you to perceive the world in three dimensions. In contrast, the camera has monocular vision. That is, it sees with one eye only and from CHAPTER COMPOSITION PHOTO WORKSHOP / Understanding Composition 1 one point of view. Part of composition is learning to see as the camera sees so you can predict in your mind’s eye how the finished image will look.
This format is typically one of three shapes: a rectangle (see 2-13), a square (see 2-14), or a panoramic rectangle (see 2-15). (A panoramic rectangle is one whose width is at least twice its height. 25 in. ) If the format is rectangular, it typically has either a 3:2 ratio, which is the 35mm format, or a 4:3 ratio, which mirrors the shape of a television screen. Many digital cameras offer a choice of frame formats, enabling the photographer to easily switch from rectangular to square to panoramic.