Download Anatomy of a robot : literature, cinema, and the cultural by Despina Kakoudaki PDF
By Despina Kakoudaki
By reading a variety of literary texts and flicks (including episodes from Twilight Zone, the fiction of Philip ok. Dick, Kazuo Ishiguro’s novel Never allow Me cross, city, The Golem, Frankenstein, The Terminator, Iron guy, Blade Runner, and that i, Robot), and going again to alchemy and to Aristotle’s Physics and De Anima, she tracks 4 foundational narrative components during this centuries-old discourse— the fable of the factitious start, the delusion of the mechanical physique, the tendency to symbolize synthetic humans as slaves, and the translation of artificiality as an existential trope. What unifies those investigations is the go back of all 4 components to the query of what constitutes the human.
This centred method of the subject of the bogus, developed, or mechanical individual permits us to think again the production of man-made life. by way of targeting their old provenance and textual versatility, Kakoudaki elucidates synthetic people’s major cultural functionality, that is the political and existential negotiation of what it capability to be a person.
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Additional resources for Anatomy of a robot : literature, cinema, and the cultural work of artificial people
From ancient tales of the creation of Pandora and Galatea to the ritualistic animation of the Golem in the Jewish Kabbalah, to the sexy physicality of the Replicants in Blade Runner (Ridley Scott, 1982), and the striking technological birth scenes of Ghost in the Shell (Mamoru Oshii, 1995), part of the appeal of artificial people seems to depend on the attractions of their adult bodies, bodies usually gendered and rendered in culturally specific ways in terms of race, ethnicity, age, and physical appearance.
Despite the claims of companies engaged in military research development, artificial soldiers will always be more expensive, more sensitive to the environment, and power-source dependent than human soldiers. For example ASIMO is not a true robot: currently, it is remote-controlled through portable computer units by one or two human operators, one for the upper and one for the lower body. And despite company claims that ASIMO is designed to operate as a worker in a human environment, its current work potential is only one hour, after which its battery must be recharged for three hours.
Consider the possibility that the Romantic/gothic model is currently under much needed revision, partly inspired by the return of pre-nineteenth-century interests in materiality, presence, complexity, texture, and allegory. Avoid positing imitation or simulation as a consistent aim in the discourse. Avoid explaining the presence of objects through anthropomorphic projections. Avoid imagining Introduction 25 that physical constructs are more real than imaginary constructs, or that the two are at all separable.